CMYK is the color model behind almost everything you hold in your hands: flyers, magazines, packaging, business cards. It stands for cyan, magenta, yellow and key (black), and it is subtractive. You start with white paper and every layer of ink absorbs more light, so colors get darker as you add them.
Why a separate black? Mixing cyan, magenta and yellow gives a muddy brown rather than a true black, and it uses a lot of ink. A dedicated black ink gives crisper text and deeper shadows for less money.
RGB is the additive model used by monitors, phones and TVs. Each pixel mixes red, green and blue light, and each channel runs from 0 to 255. All three at full strength make white, none at all gives black, and equal amounts make a gray.
Because screens emit light rather than reflect it, RGB can produce vivid, glowing colors that ink on paper simply cannot match. That is exactly why a design can look different once it is printed.
Design on screen, print on paper: that is the whole story. You usually work in RGB because monitors show it best, then convert to CMYK so the printer can reproduce the file. Skip that step and the press does the conversion for you, often with flat, faded results you did not approve.
| RGB | CMYK | |
|---|---|---|
| Type of mixing | Additive (light) | Subtractive (ink) |
| Channels | Red, green, blue | Cyan, magenta, yellow, black |
| Value range | 0–255 per channel | 0–100% (0–1 here) |
| Best for | Screens, web, video, apps | Print: flyers, posters, packaging |
| Color range | Wider, brighter | Narrower, softer |
If your brand uses a punchy neon green or electric blue, expect the biggest shift. Checking the CMYK values early lets you pick a print-safe alternative before anything goes to the press.
The conversion works in one direction far better than the other. Going to CMYK trims the brightest colors to what ink can reproduce. Going back to RGB cannot restore them, because that information is already gone. So always keep your original RGB file and make CMYK copies for print.
The converter uses the standard mathematical method, with R, G and B scaled to 0–1:
This is a quick, transparent conversion. It does not apply an ICC profile for a specific paper or press, so use it for fast checks and planning, then let your design software and printer handle the final proof.
| Color | RGB | CMYK (C, M, Y, K) |
|---|---|---|
| Red | 255, 0, 0 | 0, 1, 1, 0 |
| Green | 0, 255, 0 | 1, 0, 1, 0 |
| Blue | 0, 0, 255 | 1, 1, 0, 0 |
| Orange | 255, 165, 0 | 0, 0.353, 1, 0 |
| Mid gray | 128, 128, 128 | 0, 0, 0, 0.498 |
| White | 255, 255, 255 | 0, 0, 0, 0 |
| Black | 0, 0, 0 | 0, 0, 0, 1 |
Almost every serious graphics app can. In Photoshop use Image → Mode → CMYK Color, in Illustrator and InDesign use File → Document Color Mode, and in Inkscape, GIMP, Affinity or CorelDRAW use the color mode or export options. Whichever you pick, work from the RGB master and preview the result before sending files to print.
RGB mixes red, green and blue light and is used by screens. CMYK mixes cyan, magenta, yellow and black ink and is used for print. RGB can show brighter, more saturated colors than ink can reproduce.
Enter the R, G and B values (0–255) in the top row. The converter fills in C, M, Y and K straight away. Click the arrow icon to work the other way, from CMYK to RGB.
The tool shows CMYK as fractions. Multiply by 100 to get percentages, so 0.353 means 35.3%.
It uses the standard mathematical formula, which is great for quick checks and design work. Professional print output depends on the paper, inks and ICC profile, so use your design software and ask your printer for their profile when color accuracy matters.
Ink cannot reproduce every color a screen can. Bright, saturated greens, blues and oranges are the most affected, so they shift toward a softer shade.
You can calculate the values, but colors already clipped during an RGB-to-CMYK conversion do not come back. Keep your original RGB file as the master.
No. The calculation runs in your browser, so nothing you type is sent to a server.
Photoshop, Illustrator, InDesign, Affinity, CorelDRAW, Inkscape and GIMP all can, usually through a color mode or export setting.
Working with images too? Try our color vector converter or browse more free tools.